Tracy C. Gold

I am excited to finally relaunch my writing and editing career after a rough pregnancy and some major post-partum health complications. After struggling with hyperemesis gravidarum (yup, like Duchess Kate), and complications from surgery to remove my gallbladder, I am now looking forward to fewer hospital visits and more engaging work. (Snuggles with my adorable daughter are a given!)

Here is the kind of work I am most excited to dive back into:

• Editing creative writing (fiction and non-fiction)
• Editing business/marketing writing
• Writing marketing content

Check out my services page for a full list of what I can help with, as well as testimonials from some of my past clients. You can read more about my qualifications in my bio, and contact me at tracycgold@gmail.com. If you’re just here for baby pictures (or horses and dogs), check out my Instagram.

I’m very excited about Homefront Cooking, a collection of recipes and essays from military service memories and their families. I contributed a brief essay about my Grandpa Charlie and Grandma Lil, along with Lil’s delicious mashed potato recipe.

Read more about Homefront Cooking in the New York Post.

You can buy Homefront Cooking here.

I’m thrilled to update this blog with some happy news! My daughter, Ava Goldwray, was born on March 14th, 2018. I have accordingly been on hiatus from the writing and editing world. Thanks to a gall bladder attack and pending surgery, I will unfortunately be taking the back seat a little bit longer. I will shout it to the rooftops when I am back in full swing! In the meantime, here is Ava, being adorable.

Today I have a guest post on Adventures in YA Publishing about how to approach a revise-and-resubmit request from an agent. The idea from this blog post came from a question a writer asked me on Twitter. If you have a question that would make a good blog post, feel free to comment here or contact me!

Pitch Wars is coming up again, and mentors are preparing their wishlists! When I tweeted about having time to write a blog post, I was asked to consider what a Pitch Wars mentee wants in a mentor. As a two-time mentee who’s had AMAZING mentors, I know a little something about that.

I’ll share my experience, and then include some comments from other Pitch Wars mentees below.

Both years that I have participated in Pitch Wars, I had a very hard time narrowing down my list of mentors. For those new to the contest, there are generally dozens of mentors for each age category, and mentees choose 4-6 mentors to submit a query and first chapter to. Those mentors then ask for full manuscripts if they are intrigued, and choose which mentee they would like to work with.

Both years, there were so many amazing mentors I thought I could learn from, who talked about books like mine on their wishlists, and who were fun to interact with on Twitter. I pored over mentors’ wishlists, analyzed their past mentees, read their blogs and books, and compared mentor picks with other hopeful mentees. Ultimately, I went with my gut, and both years, I chose well. I was picked as a mentee by Rachel Lynn Solomon in 2015 and Diana Gallagher in 2016. I still talk to both of my mentors regularly, and my life is so much richer because they are in it (cheesy but so true!).

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I’m offering a steep query critique discount to kick off my summer of aggressively growing my editing business. I posted about this over on my company Sounding Sea’s website, and I am reposting here.

Are you getting ready to send a book out to literary agents, or wondering if you could improve a query you’re currently sending? Getting your query professionally critiqued can help your novel jump out of the slush pile.

I am excited to offer a 50% query critique discount until June 15th, or until my schedule totally fills up, whichever comes first. Book your critique quickly! My query critiques involve two rounds of feedback and any necessary email back and forth between rounds. That means you get two rounds of feedback on your query for only $50, while many query critiques cost over $100 and only include one round of feedback. I also generally turn around query critiques within a few business days, or a week maximum, while other services often require waiting for months.

When I critique queries, I focus on helping the author communicate their vision for the book. In the first round, I’ll ask questions and provide feedback about the big picture of your query: does your vision for the book come across in a clear and compelling way? I’ll then send you off to make changes. In the second round, I’ll dive in with a laser focus to help you polish your new and improved query to a shine. With this process, you can be sure that you’ve nailed the revisions of your query and can be confident in the query you’re sending to agents.

You can read some of my past query critiques to get a sense of my style by clicking the links below. Note that I will not be publicly posting this round of discounted critiques. I will use the comments and track changes feature either on Word or Google Docs, whichever you prefer, not the bold and bracket system I used for the public posts.

Historical Fiction by Carly Heath, now represented by Jessie Devine at D4EO.

YA Fantasy Dual POV by Ally Overy, now represented by Natascha Morris at BookEnds Literary

YA Thriller by Suja Sukumar

Contact me at tracycgold@gmail.com to reserve your spot before I’m all booked up!

Writing a memoir can be incredibly fulfilling for you and for readers, but it can also be overwhelming. Where do you start? How long is a memoir, anyway? What should the writing style be like? What if you can’t remember all the details?

Recently, I’ve been coaching a few memoirists who want to tell their stories, but don’t know how to start. In this post, I’ll break down some of the common advice I share with them.

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Earlier this month, I posted about giving a few critiques away in exchange for donations to charity.

This week, I have feedback for writer Suja Sukumar, who generously donated to the White Helmets, a neutral organization rescuing Syrian civilians.

My line notes are in bold and brackets, and I have overall thoughts below.

Dear ___,

After being orphaned a decade ago, seventeen-year-old Indian-American Tanvi Nair is determined to put her past behind her [Is her past being orphaned or something else? You may want to substitute something more specific here or skip the “past behind her” part.] and take care of her aunt who suffers from depression. [You might need an adjective here to clarify depression. Plenty of people are depressed and don’t need a caretaker—what is different about her aunt’s depression?] Every [Oops, just “ever!”] since her [Tanvi’s cousin? You may want to use the name instead of the pronoun, otherwise it could be the aunt’s cousin.] cousin, Mimi, ran away five years ago, her aunt has resorted to praying [This could be simply: “her aunt has prayed.”] to every deity in the Hindu pantheon, hoping her daughter would return. Tanvi hopes so, too, though she has no memory of what happened the day Mimi ran away. [Meaning she blacked out or she was too young? You may want to clarify.]

Then one day [This transition makes the plot seem episodic (this happened, then that happened, rather than the character did this, therefore that happened). Is this just an accident, or does the plot pick up here? If the latter, you may want to start your query with Tanvi finding this girl.] Tanvi spots a girl with a scarred face across the street. The girl’s mannerisms and voice is [are] exactly like her missing cousin’s. [So she does remember her cousin, just not the day she disappeared?] She also seems aware of [How so?] Tanvi’s past, like her dad’s murder and her mom’s involvement with dark magic rituals from India. [Ah ha! Tanvi is not just your typical orphan…I think you can still get rid of “dark past” earlier in the query and have it hit here.]

But her attempt to approach the girl is met with hostility. [So then how does she know all of that stuff about the girl? Maybe “approach” is not the right word here?] After getting her to admit she is Mimi, [How? I’m curious about how Tanvi worked her way into the girl’s good graces.] Tanvi tries to take her home, but the girl attacks her with a knife and flees after Tanvi disarms her. Then a local bully at school is found stabbed with that same knife with Tanvi’s fingerprints on it.

Now Tanvi has to convince the police of her innocence. And she has to track Mimi down since no one else believes her cousin is back. But tracking Mimi down will require piecing together the events of the day Mimi vanished, the day that is missing from Tanvi’s memory. Failing to do so could cost Tanvi her sanity, if not her freedom.

HIDE ME AWAY might appeal to readers of Megan Miranda and Gail Giles’s thrillers. I am an Indian immigrant [Is Tanvi also an immigrant or second/third/etc-generation? You may want to clarify. Simply “like Tanvi, I am” would work. I would also consider putting the word count, genre, comps, and a logline at the beginning of the query, and keeping your bio separate, at the end.] settled in Michigan where my 62,000 word psychological thriller is set. I am also a member of SCBWI.

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Earlier this week, I posted about giving a few critiques away in exchange for donations to charity. All three slots for this round have been taken, but you can follow me or Sounding Sea on Twitter to be the first to find out when I do another round! You can also sign up to get email alerts here (don’t worry, they’re infrequent!).

Below, I have feedback for Carly Heath‘s query and first page. My thoughts are in bold and brackets, and I have overall thoughts below.

Dear (insert agent’s name here),

[My personal preference is to see a short logline and the genre/word count information in the beginning, but different people have different opinions on whether you should just jump in to the query. I think providing some quick set up could really help your query in particular. I was confused when I read so much about Erlend when Gunnar was mentioned first. It would be good to know who the POV characters are up front.]

It’s 1904 and seventeen-year-old Asta and her recently disabled [How is he disabled? That’s pretty vague.] best friend Gunnar are misfits in their rural Scandinavian village.  [I would consider skipping the clause about “misfits” and skip to this sentence, where there’s more specificity about what’s at stake. Something like: “Scandinavian teen Asta dreads her arranged marriage. DESCRIPTIVE WORDS Erlend just wants to be with his secret boyfriend, Gunnar, who is Asta’s best friend (or even better, let us know if there’s a more direct connection between Asta and Erlend).] She dreads a future where her only option is marriage and motherhood, and he just wants to be with his secret boyfriend, Erlend. [I had a hard time keeping track of she and he here—you’re fighting an uphill battle with unfamiliar names.]

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